Nourishment, Art That Feeds the Soul and Makes Strong Funny Bones will be an exhibit at Art Institute of Boston @ Lesley University featuring the work of two artists, Ellen Wetmore and Jeff Warmouth.

Last week, I interviewed Jeff about his work and what he has in store for his part of the show.


MCE: Can you tell me a bit about what you have planned for the Cyberarts Festival?

JW: I’m creating competing fast food establishments. The gallery is going to be divided into large interactive video installations that represent two different fictional fast foods establishments, Jeffu Burger and JFC.

Both of the video components are going to have myself, as representative of the establishment, as a sort of a cybernetic agent. There will be a touch screen ordering system, so the public can come up and make a selection from a bunch of different fast food combinations

MCE: Why did you choose to incorporate technology? Why touch-screens and cybernetic agents?

JW: I’ve been doing food-based work for forever -- for a decade at this point -- but I’ve never really done fast food, per se. But I just began really thinking about fast food as a cybernetic experience. You know, from almost the micro-level, you drive up to the drive-thru window -- and there is technology. We don’t even talk to a person anymore; we’re mediated by technology at that level. You pull up to a window, speak to a little voice in the speaker and you have a menu that you are looking at.

Even on a much larger level, fast food as it exists in the world is totally dependent on 20th century technology. Just in terms of the way cows are grown to produce beef -- that could not exist without a lot of machinery, inventions like fertilizers, and lots and lots of technology that wasn’t around before the latter part of the 20th century. Fast food is all wrapped up in technology.

I work with comedy, and of course, there are jokes, culturally, about “Oh, fast food… it’s all the plastic. It’s all the same. It’s robotic.” Even though it really is humans serving things up to you.

But, in a sense if you drive up to a fast food window or you walk into a McDonalds and order, the workers, reading scripts, are almost like cybernetic entities onto themselves. They are not really enacting the roles of humans anymore. They are sort of enacting this cybernetic, robotic role.

MCE: Can I interrupt you for a moment and ask what you mean by cybernetic?

JW: I’m probably not being consistent in my use. I’m certainly familiar with Norbert Weiner’s definition of cybernetics and how in its original, literal sense it’s all based on feedback.

I guess also I’m using the word in the sense of a cyborg. I mean, when I say the role they are playing is no longer a human role, they’re playing a robotic role. Also, when I’m thinking about cybernetics and fast food as a cybernetic experience, I’m thinking about both the sense of a feedback loop but also, I suppose, a dystopian sense that a computer or a machine is implicitly part of that feedback loop and is moderating that feedback -- ..

MCE: That’s funny, actually, feedback is like feed and food …

JF: Food—exactly. Absolutely. I definitely think about it. I think that one of the brain storms for a name of the show had to do with feedback, like a pun, on “Feed bags” or something…

Speaking of puns, I’ve heard you talk about the importance of comedy in your work. Why do you think this is an effective way to subvert everyday practices for you?

Of course, it would be great to have a funny answer.

Why is it effective? I’m not sure. I think our society accepts comedy. I think it’s maybe the only place that society really accepts these deep subversive messages. So, I suppose, it works in terms of audience. Because we are kind of prepped for it.

With all of my pieces, whether I'm really heavy on technology or not, for me the comedy is what it all comes back to. It's the way that I’ve found to get the message across. It's playful and I like playing. It allows for the comic and for the subversive. It allows for the poetic. It allows for concrete things but also abstract and philosophical things but without having to be philosophical.

MCE: Thanks, this has been really great. As a final question, any words of advice for people coming to see your work?

JF: Enjoy it. Play around and enjoy it.

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